Bisexual Britni Oops I Did It Again Extreme Asscociates
Oops!... I Did Information technology Over again | ||||
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Studio album by Britney Spears | ||||
Released | May 3, 2000 (2000-05-03) | |||
Recorded | 1999–2000 | |||
Studio |
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Genre |
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Length | 44:37 | |||
Characterization | Jive | |||
Producer |
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Britney Spears chronology | ||||
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Singles from Oops!... I Did It Once more | ||||
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Oops!... I Did It Again is the 2nd studio album past American singer Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut album ...Baby One More Time (1999), it is a pop, trip the light fantastic toe-pop, and teen pop tape, the album incorporates a more funkier and R&B sounds. [i] Contributions to the anthology'south production came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[ii]
Upon its release, Oops!... I Did It Again received positive reviews from music critics, who praised its production, sonic quality and Spears' vocal performance. The album became a massive commercial success, debuting at number one in over twenty countries while peaking inside the top five in diverse other. In the U.s., it debuted at number i on the Billboard 200, with beginning-week sales of 1.39 million copies, becoming the fastest selling album by a female artist since Nielsen SoundScan began tracking bespeak-of-auction music purchases in 1991.[3] This record was broken fifteen years later by Adele's 25, which sold over 3.38 million copies in its offset week of release.[iv] It became Spears' 2nd consecutive album to be certified Diamond by the Recording Industry Association of America, denoting sales of over ten million copies in the United states, making Spears at age eighteen the youngest artist to take multiple diamond albums.[5] With worldwide sales of over 20 million copies,[vi] Oops!... I Did It Again is ane of the best-selling albums of all-fourth dimension.
Four singles were released to promote the anthology. Its title track was commercially successful in a number of territories, reaching number i in fifteen countries and peaking at number ix on the US Billboard Hot 100. Its second single, "Lucky", peaked at number one in Austria, Frg, Sweden and Switzerland, within the meridian ten in Australia, Belgium, Canada, Denmark, Ireland, Italy, the Netherlands, New Zealand, Kingdom of norway, Poland, Romania and the United Kingdom, and at number twenty-three on the US Billboard Hot 100. Its third unmarried, "Stronger", reached the peak x in Austria, Finland, Germany, Poland, Romania, Sweden, Switzerland and the Uk, and peaked at number 11 on the The states Billboard Hot 100. "Stronger" became the highest-selling unmarried off the album, receiving a Gilt certification in Australia, Denmark, Germany, New Zealand, Sweden, and the United States. Its terminal single, "Don't Let Me Be the Terminal to Know", was moderately successful on the charts, peaking at number i in Romania, and within the top ten in Austria, Poland, and Switzerland, simply failed to chart on the U.s.a. Billboard Hot 100. To promote the album, Spears performed on several television shows and award ceremonies, including a controversial operation at the 2000 MTV Video Music Awards. She also was the host and musical invitee for the showtime time on Saturday Night Alive. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did It Once again Tour, starting on June 20, 2000 and ending at the Rock in Rio festival on January 18, 2001.
Recording and production [edit]
"When I did the kickoff anthology, I had only turned 16. I mean, when I look at the album cover, I'chiliad similar, 'Oh, my lordy.' I know this adjacent album's going to be totally different--especially the material. I but got finished recording the first six tracks in Sweden two months ago, and the material is and then much more funkier and edgier. And, of course, it's more mature because I've grown every bit a person too."
—Spears on the progression of her material for the anthology.[7]
Later vacationing for six days following the completion of the ...Baby One More than Time Tour in September 1999,[8] Spears returned to New York Metropolis to begin recording songs for her next album; the bulk of the recording took place in Nov. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did It Again", "Walk on Past" (after covered by Gareth Gates), "What U See (Is What U Get)", and "Don't Go Knockin' on My Door" were the kickoff to exist recorded at Martin'southward Cheiron Studios in the outset week of November; followed by "Stronger" and "Lucky", which were finalized (forth with the title track) in Jan 2000. Spears recorded "Don't Allow Me Be the Final to Know" at Robert Lange's villa in Switzerland in December 1999; Lange produced the vocal.[10] "Where Are Yous Now" was an outtake from ...Baby One More than Time. "Girl in the Mirror" and "Tin't Brand You Love Me"'s instrumental track and melody were recorded in the autumn of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking upwards with producer Steve Lunt to record Diane Warren's "When Your Eyes Say It" at Bombardment Studios on Friday, January 28, 2000, which preceded her TRL appearance that day. "I Kiss from You lot" was also recorded at Battery Studios but was later finished at tertiary Floor in New York City. Spears also recorded the last track for the album "Dearest Diary" which would subsequently be completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Another song recorded during these sessions was "Heart". Her cover of "(I Tin't Go No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 later attending the 42nd Annual Grammy Awards.[13] [14]
By January, the and so-untitled album was halfway to completion; Spears had worked on information technology primarily in the United States and Sweden, and finalized cloth in New York City.[9] She was heavily pressured after ...Baby One More than Time 'south huge commercial success, stating: "Information technology'southward kind of hard post-obit x million, I have to say. But after listening to the new material and recording it, I'm really confident with it."[xv] Upon the release of Oops!...I Did It Once again, Spears said: "I mean, of course in that location's some pressure", and added: "Merely in my opinion, [Oops!] is a lot meliorate than the get-go album. It's edgier – information technology has more of an attitude. Information technology's more me, and I think teenagers volition relate to information technology more." Geoff Mayfield, managing director of Billboard charts, added that the determination to release Oops!... I Did It Again less than a year and a half later Spears' debut amounts to "very smart timing. My philosophy is when you have a immature fan base, get 'em while they're hot."[16]
Music and lyrics [edit]
Oops!... I Did Information technology Again was considered as a sequel to Spears' debut album, ...Baby One More than Time (1999),[1] percolating with a carefully measured alloy of familiar popular, funk, R&B and power balladry.[17] Spears said during an interview that the album has a more mature, R&B-flavored pop sound. "Information technology's non something I changed purposefully", Spears said of the album'southward sound and added: "It's merely something that kind of inverse on itself with me being older. My voice has inverse a little bit and I'one thousand more confident, and I recall that comes across on the cloth."[7] One of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones cover, stating: "Information technology's going to shock everybody", calculation: "It has flavors of the original, but it's a directly 2000 version — new to the ear. Which I think is absurd, considering people who appreciate that song are going to beloved it. And I made it then new and young that the immature kids that dearest Britney are going to love information technology. Information technology's going to grab both a mature and young audience."[18] Spears worked with Robert "Mutt" Lange on "Don't Allow Me Be the Last to Know", telling MTV News: "When y'all hear the song, it'southward so pure and delicate. It's just one of those songs that pull you in", and added: "I think they wrote it 'specially for me, because the lyrics of the vocal, if you actually listen … they're more of what I tin can relate to, 'cause they're kind of young lyrics, I retrieve. I don't remember Shania would probably sing some of the words that I'1000 saying."[eighteen]
The championship track and opening vocal, "Oops!... I Did Information technology Again", was compared to her debut unmarried, "...Baby One More Fourth dimension" (1998), featuring a slap-and-popular bassline, synthesizer chord stabs and a mechanized crush. Lyrically, the vocal sees Spears warning to an overeager prospective lover: "Oops, yous think I'm in love/That I'thousand sent from to a higher place — I'k not that innocent."[19] The vocal besides breaks downwards for a spoken-word interlude, involving a line from the pic Titanic (1997).[19] The second track "Stronger" is a synthpop[xx] and R&B-infused rail,[xviii] which is lyrically a declaration of independence, where Spears leaves a partner who treats her like property.[21] The line "my loneliness ain't killing me no more than" makes reference to the poesy "my loneliness is killing me" from her song "...Baby I More Time".[18] Some other R&B-infused track, which besides adds a scrap more funk to the mix,[18] "Don't Become Knocking on My Door" finds Spears confidently forging ahead after a breakup.[21] The fourth rails, a cover of the Rolling Stones' "(I Can't Get No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry out, crackling lockstep is thrown down, turning the song into an urban stomp.[22] The dance-pop version also jettisons the vocal's last verse and adds some new lyrics[18] ("how white my shirts could be" becomes "how tight my skirt should be").[23] "[It] was my idea [to record the song]", Spears said. "I was merely similar, 'I like this vocal,' and I think information technology volition exist a actually cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky song like that."[24] The fifth track, "Don't Let Me Be the Last to Know", was co-written by country-popular singer-songwriter Shania Twain and her then-hubby, producer Robert "Mutt" Lange, who likewise produced the track.[xviii] The carol, which boasts a slinky keyboard riff and Lange's characteristically lavish production, finds Spears assuasive a bit of country twang into her vocals as she begs a lover to reveal his feelings: "My friends say you're into me ... but I need to hear it direct from you", she sings.[eighteen]
The sixth track "What U See (Is What U Get)" demands respect by rebuking a jealous partner,[21] while the seventh rail, "Lucky", is a centre-rending tale of a Hollywood starlet's loneliness, proving that fame can exist empty.[21] "If at that place's nothing missing in my life/Then why do these tears come at night?", she asks.[20] "School vanquish" is the theme of "1 Kiss from You lot",[21] a rails that has a reggae-style crush and lyrics about the feelings of falling in love, and the quickness of it,[25] with Spears cooing that after merely 1 kiss she sees her entire future with her lover.[26] The ballad "Where Are You lot Now" talks most wanting to know where a previous honey is, and what that person is upwards to, then that she can finally allow them go and observe closure.[ citation needed ] Lines on "Can't Make Y'all Dearest Me", a Europop vocal,[22] state that fancy cars and money pale in comparison to true dear,[21] with Spears singing: "I'chiliad just a girl with a crush on you lot."[22] The mid-tempo, synth-backed "When Your Eyes Say It", written by songwriter Diane Warren, combines a cord section with a loping hip hop beat,[18] while Spears makes her ain songwriting debut on the pocket-size, keyboard-driven ballad "Dear Diary", which she said is autobiographical. On the track, she sings of wanting to become "so much more than friends" with a boy.[18]
Release and promotion [edit]
In late 1999, Spears promoted her upcoming album in Europe with live performances of her by songs. She appeared on Smash Hits in the Uk.[27] In Italia, she did a curt interview on the television bear witness TRL Italia in early 2000.[27] and gave a surprise performance in Paris in May 2000.[28] In Commonwealth of australia, Spears appeared on The House of Hits and Russell Gilbert Live on May 13.[27] In Espana, she gave an interview with El Rayo on September eight and October 24.[27] Spears performed at large venues in the United kingdom, including Birmingham, the Wembley Arena in London, and the Manchester Evening News Arena. She was accompanied past NSYNC, who toured with her during a brusque United Kingdom outing in Oct 2000.[28]
Oops!... I Did It Once more was offset released in Japan on May three, 2000, and was later released in the United States on May 16. In the U.s., Spears appeared on Saturday Night Live on May 13, The Rosie O'Donnell Show on May 15, and Teen People's 25 Under 25 on May 26.[29] On May 10, she was interviewed on Tardily Dark with Conan O'Brien.[27] On May thirteen, Spears was both the host and musical invitee on NBC'due south Sabbatum Nighttime Alive. She likewise performed on NBC'due south The This night Show with Jay Leno on May 23.[xxx] Spears' held her mail-TRL listening party, "Britney's Get-go Listen", on May 16, and was toast the arrival of her anthology on next Tuesday's installment of TRL that started at iii:thirty p.k. (ET).[31] On May 14, she was at Times Foursquare studios for two hours of "Britney Live" that started at noon.[31] Spears performed "Oops!... I Did Information technology Again" on MTV's All Access: Backstage with Britney that was circulate on July xix, 2000.[27] On September 7, at the 2000 MTV Video Music Awards in New York City at the Radio Metropolis Music Hall, Spears gave a memorable alive performance.[32] which included a cover of the Rolling Stones's hit single "(I Can't Get No) Satisfaction" (1965) and her own hit "Oops!... I Did Information technology Once more", released before that yr. While she began her segment in a black suit, she shocked the audience and the media while, at just the age of eighteen, ripped information technology off to brandish a revealing, mankind-colored stage outfit with hundreds of strategically placed Swarovski crystals.[33] One month before the release of the album, Spears headed to Hawaii on Easter Sunday and then she could tape a Play a joke on television special titled Britney Spears in Hawaii. The free concert was held on the beach in front of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[34] The Fox concert consequence was intended to serve equally a preview of Spears' Oops!... I Did It Again album that features her twelve new songs.[34] Spears had on a month-long international promotional tour in support of Oops!... I Did It Again, and on May 2, she had a press event at Kokusai Forum Hall in Tokyo, and fabricated stops in both London and Hawaii.[35] Spears was also among the scheduled performers on the 42nd Almanac Grammy Awards, which aired on CBS at viii p.thousand. (ET/PT).[36] She was besides expected to appear on a Grammy-mean solar day TRL.[36]
The album's supporting bout, the Oops!... I Did It Again Tour, visited North America, Europe, and Brazil every bit function of Rock in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Again" and "Don't Let Me Be the Last to Know". On June 24, 2000, Spears was featured in a print and tv advertising campaign for Clairol's Herbal Essences shampoo line. In a special insurrection for Clairol, Spears recorded her ain song for the brand called "I've Got the Urge to Herbal" that was featured in 60-2nd radio spots and was part of a pre-concert video presentation for Spears's 50-urban center summer concert tour, in which Herbal Essences was the tour sponsor.
Singles [edit]
"Oops!... I Did It Again" was released as the lead single from the album and accomplished worldwide popularity. Information technology became Spears's 3rd superlative-10 hit single on the US Billboard Hot 100, peaking at number ix; however, in comparison to the huge success of her debut single "...Baby One More than Time", Jive Records considered "Oops!... I Did It Once again" a minor disappointment.[38] The vocal peaked at number one on the United states of america Mainstream Top 40,[39] holding the record for the about radio additions in ane day. "Oops!... I Did It Again" peaked atop the charts in Australia, Belgium, Canada, Italy, kingdom of the netherlands, New Zealand, Norway, Poland, Romania, Spain, Sweden, Switzerland and the U.k..[40] An accompanying music video for "Oops!... I Did It Once again" saw Spears on Mars in at present-iconic red shiny catsuit, while she is visited by an American astronaut who hands her the fictional Heart of the Ocean gem which Rose threw into the sea at the terminate of Titanic.[41]
The album'southward 2d single, "Lucky", was released on July 24, 2000 and received positive response from the music critics, who considered i of her all-time offerings from the anthology. Commercially, "Lucky" topped the charts in Austria, Germany, Sweden and Switzerland, while reaching number five on the UK Singles Chart.[42] In the United States, "Lucky" only managed to elevation at number twenty-three on the Billboard Hot 100 nautical chart and at number nine on the Mainstream Top 40.[38] The "glittery" music video sees Spears as the narrator and an actress named Lucky, who is a melancholy moving picture star and shows her conflicted relationship to fame.[43]
The third unmarried, "Stronger", was released on October 30, 2000 and became the album's 2d highest-charting unmarried in the Us, peaking at number eleven on the Billboard Hot 100 and number ane on the Hot Single Sales.[38] It reached number seven on the Britain Singles Nautical chart.[44] Its music video sees Spears communicable her boyfriend cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the pelting,[43] while the chair sequence in the video was inspired by Janet Jackson's video for "The Pleasure Principle".[45]
The quaternary and terminal single, "Don't Let Me Be the Last to Know", was released on March 5, 2001 and is ane of Spears' favorite tracks of her career. In the U.s., the vocal performed well below expectations, failing to chart on the Billboard Hot 100 nor the Mainstream Top forty. Nevertheless, the song attained success in Europe, topping the Romanian Top 100 and peaking inside the pinnacle ten in Austria, Poland and Switzerland, while just missing the top ten in Germany, Ireland, Sweden and the United Kingdom, peaking at number twelve in all of them.[46] The music video was considered also racy at the fourth dimension, portraying Spears in dear scenes with her fictional swain, played by French model Brice Durand.[47]
"You lot Got It All" received a promotional release in French republic in May 2000. A promotional CD single for "When Your Eyes Say It" was released in the United Kingdom in January 2001.[ citation needed ]
Critical reception [edit]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 72/100[49] |
Review scores | |
Source | Rating |
AllMusic | [one] |
Billboard | favorable[17] |
Christgau's Consumer Guide | [50] |
Entertainment Weekly | B[22] |
Los Angeles Daily News | [51] |
MTV Asia | eight/10[52] |
NME | 8/x[twenty] |
Rolling Stone | [23] |
Salon | favorable[53] |
Sonic.net | [54] |
Oops!... I Did It Over again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Over again received an average score of 72, based on 12 reviews, indicating "mostly favorable reviews".[55] Giving the album four out of five stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the same combination of sweetly sentimental ballads and endearingly gaudy trip the light fantastic toe-pop that made 'One More Time'," simply remarked that, "Fortunately, she and her product team not merely take a stronger overall set of songs this time, but they also occasionally get carried away with the same bewildering magpie aesthetic, [...] giv[ing] the album character apart from the well-crafted dance-pop and ballads that serve as its centre. In the terminate, it's what makes this an entertaining, satisfying listen."[1] Billboard magazine wrote that "'Oops!...' indicates that she's developing a soulful border and emotional depth that can't be conjured with a glass-shattering note," praising the album for consistently cast[ing] Spears equally a young adult female coming to terms with her inner power—and that's a darn good bulletin to offer an impressionable audience."[17] Entertainment Weekly'south David Browne gave the album a B-rating, writing that the album "reminds u.s. one time again that the best new pop tin be a blast of cool air in a stifling room."[22]
Rob Sheffield of Rolling Stone gave the album a three-and-a-half out of five stars rating, calling the album "fantastic pop cheese, with much better song-factory hooks than 'N Sync or BSB go", likewise noting that "the great thing about Oops!, under the cheese surface, is complex, fierce and downright scary, making her a true child of stone & coil tradition."[23] A author of NME reported that "she's mod-twenty-four hours pop perfection realised in a nearly, man form", commenting that "she's washed it again."[xx] Lennat Mak of MTV Asia named it "a brilliant second album", writing that Spears "is armed with a more mature and seasoned pop star expect, stronger and poppier songs, and of form, extensive media exposure."[52] Andy Battaglia of Salon chosen the album "a masterpiece of sorts not for its message just for the mode it applies the conventions of the pop-musical medium."[53] Website The A.V. Club was more than mixed, calling it "a joyless scrap of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks equally Diane Warren and assorted Swedes."[56]
Accolades [edit]
Commercial performance [edit]
In the United States, Oops!... I Did It Over again reportedly sold 500,000 copies in its commencement day of release.[62] It debuted at number one on the Billboard 200 chart, with starting time-week sales of one,319,193 copies.[63] [64] [65] With its success, Spears held the record for the highest offset-calendar week sales by a female artist.[66] This tape was held for fifteen years, just to exist surpassed in Nov 2015 past the album 25 by Adele, which sold over three.38 million albums in the United states of america in its first week.[four] The album fell to number two in its second calendar week, with additional sales of 612,000 copies.[67] It held this position for fifteen consecutive weeks.[68] [69] By its fifth week of availability, Oops!... I Did Information technology Again had sold over iii 1000000 copies and had passed five million copies past August.[70] On its seventeenth week on the chart,[71] it was certified septuple Platinum past the Recording Industry Association of America (RIAA) for shipments of seven million units.[72] [73] The album spent eighty-4 weeks on the Billboard 200, thirty-1 weeks on the Canadian Albums Chart, and two weeks on the US Catalog Albums.[74] Oops!... I Did Information technology Again debuted at number eighty-two on the European Top 100 Albums, and quickly peaked at number one;[75] information technology sold over iv million copies within the continent, being certified four-times Platinum past the International Federation of the Phonographic Industry.[76] Oops!... I Did Information technology Once again reached number two on the UK Albums Chart,[twoscore] selling 88,000 copies in the get-go week of release; it remained in the top five for four weeks. The album debuted at number one in Canada, selling 95,275 copies in its commencement week.[77]
It topped the French Albums Chart[78] and the German language Offizielle Top 100, also being certified triple Platinum by the British Phonographic Manufacture (BPI),[79] double Gold by the Syndicat National de l'Édition Phonographique (SNEP)[lxxx] and triple Platinum by Bundesverband Musikindustrie (BVMI),[81] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number two on the Australian Albums Chart, and spent ten weeks in the top 20;[82] it became the fourteenth highest-selling of 2000 in the state and was certified double Platinum past the Australian Recording Industry Association (ARIA) the following year after shipping 140,000 copies to retailers.[83] [84] Oops!... I Did It Once more opened at number three on the New Zealand Albums Chart and was certified Golden after just i week on the nautical chart.[85] The Recording Industry Association of New Zealand (RIANZ) ultimately certified it double Platinum.[86] Oops!... I Did It Again became the third best-selling album of 2000 in the United States, selling 7,893,544 albums according to Nielsen SoundScan[87] and quaternary best-selling album according to Billboard Twelvemonth-Finish of 2000.[88] On January 24, 2005, the album was certified decuple Platinum (Diamond) past the Recording Industry Association of America (RIAA).[89] [90] Also, the album landed at number twenty-vii on BMG Music Guild best best-sellers list with 1.21 million units, behind Shania Twain's The Woman in Me (one.24 million) and Nirvana's Nevermind (1.24 million).[91] As of July 2009, the album has sold 9,184,000 copies in the United States, excluded copies sold through clubs, such as the BMG Music Service.[92] Worldwide, Oops!... I Did It Again sold 2.5 1000000 copies in its first calendar week (second highest first week sales by a female creative person worldwide) and sold 15 million copies by the end of the year. It was the acknowledged female album and third all-time selling album of 2000. The album has sold 20 1000000 copies worldwide.[6]
Controversy [edit]
Musicians Michael Cottril and Lawrence Wnukowski filed a copyright case against Spears, Zomba Recording Corporation, Jive Records, Wright Amusement Group and BMG Music Publishing, claiming Spears' "What U See (Is What U Get)" and "Can't Make Y'all Love Me" are "virtually identical" to i of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song chosen "What You See Is What You Become" in 1999 to 1 of Spears' representatives for consideration on a futurity anthology, though it was rejected.[93] The case was later dismissed later it was ruled that they lacked sufficient evidence and that there "weren't enough similarities between the two songs to show copyright infringement."[94]
Track list [edit]
No. | Title | Writer(due south) | Producer(southward) | Length |
---|---|---|---|---|
i. | "Oops!... I Did Information technology Over again" |
|
| 3:31 |
2. | "Stronger" |
|
| three:23 |
3. | "Don't Go Knockin' on My Door" |
|
| three:43 |
4. | "(I Can't Get No) Satisfaction" |
| Rodney Jerkins | 4:23 |
five. | "Don't Let Me Be the Last to Know" |
| Lange | iii:50 |
6. | "What U See (Is What U Get)" |
|
| 3:36 |
7. | "Lucky" |
|
| 3:26 |
eight. | "Ane Osculation from You" | Steve Lunt |
| 3:23 |
nine. | "Where Are You lot Now" |
|
| 4:39 |
10. | "Tin can't Brand You Love Me" |
|
| 3:17 |
11. | "When Your Eyes Say It" | Diane Warren |
| four:29 |
12. | "Beloved Diary" |
|
| 2:46 |
Total length: | 44:37 |
No. | Championship | Writer(south) | Producer(due south) | Length |
---|---|---|---|---|
12. | "Girl in the Mirror" | Elofsson |
| 4:06 |
13. | "Beloved Diary" |
|
| 2:46 |
Total length: | 48:24 |
No. | Championship | Writer(southward) | Producer(southward) | Length |
---|---|---|---|---|
11. | "When Your Eyes Say It" | Warren |
| iv:06 |
12. | "Girl in the Mirror" | Elofsson |
| iii:36 |
13. | "You Got It All" | Rupert Holmes | Eric Foster White | 4:43 |
14. | "Dear Diary" |
|
| two:46 |
Total length: | 52:33 |
No. | Title | Writer(s) | Producer(due south) | Length |
---|---|---|---|---|
xi. | "When Your Eyes Say It" | Warren |
| 4:06 |
12. | "Girl in the Mirror" | Elofsson |
| 3:36 |
xiii. | "You Got It All" | Holmes | White | iv:10 |
fourteen. | "Heart" |
|
| 3:31 |
15. | "Love Diary" |
|
| 2:46 |
Total length: | 55:34 |
No. | Title | Length |
---|---|---|
1. | "Don't Let Me Be the Concluding to Know" (Album version) | three:fifty |
2. | "Don't Let Me Be the Last to Know" (Hex Hector Radio Mix) | 4:01 |
3. | "Don't Permit Me Be the Concluding to Know" (Hex Hector Gild Mix) | 10:12 |
4. | "Stronger" (MacQuayle Mix Evidence Edit) | 5:21 |
5. | "Stronger" (Pablo La Rosa's Tranceformation) | vii:21 |
6. | "Oops!... I Did It Over again" (Music video) | 4:11 |
7. | "Lucky" (Music video) | 4:07 |
8. | "Stronger" (Music video) | 3:37 |
9. | "Don't Let Me Exist the Terminal to Know" (Music video) | 3:51 |
Total length: | 30:52 |
No. | Title | Length |
---|---|---|
1. | "Oops!... I Did Information technology Again" (Music video) | 4:20 |
two. | "Lucky" (Music video) | iv:14 |
iii. | "Stronger" (Music video) | 3:47 |
iv. | "Oops!... I Did It Once more" (Karaoke) | 4:17 |
v. | "Lucky" (Karaoke) | 4:18 |
six. | "Stronger" (Karaoke) | 3:46 |
Total length: | 25:25 |
Notes
- Track four, "(I Tin't Become No) Satisfaction" is a encompass of the 1965 Rolling Stones unmarried.
- ^a signifies a vocal producer
Personnel [edit]
Credits adapted from AllMusic.[102]
- Britney Spears – vocals, background vocals, spoken words, concept
- Steve Lunt - A&R, composer, producer, cord arrangements
- Jeanne LeBlanc – cello
- Jesse Levy – cello
- Kermit Moore – cello
- Eugene J. Moye – cello
- Harvey Stonemason, Sr. – editing
- Bobby Brown – banana engineer
- Flip Osman – assistant engineer
- Clayton Woods – assistant engineer
- Anthony Ruotolo – assistant engineer
- Alfred Bosco – assistant engineer
- Shane Stoneback – assistant engineer
- Charles McCrorey – engineer, assistant engineer
- Michel Gallone – engineer, mixing engineer
- Chris Trevett – engineer, vocal engineer, mixing engineer
- Eric Gast – engineer
- Tim Donovan – engineer
- Harvey Mason, Jr. – engineer
- Dan Gellert – engineer
- John Amatiello – engineer
- Stephen George – mixing engineer
- Dexter Simmons – mixing engineer
- Chris Tergesen – string engineer
- Michael Tucker – vocal engineer
- Jackie Murphy – art management, blueprint
- Marking Seliger – back cover, embrace photo
- Larry "Rock" Campbell – bass, guitar, producer, drum programming
- Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
- Esbjörn Öhrwall – guitar
- Johan Carlberg – guitar
- Michael Thompson – guitar
- Kali – pilus stylist
- Gloria Agostini – harp
- Max Martin – keyboards, programming, producer, mixing engineer, spoken word
- Robert "Esmail" Jazayeri – keyboards, producer, drum programming
- Per Magnusson – keyboards, programming, producer, mixing engineer
- Jake – keyboards, programming, producer, mixing engineer
- Kristian Lundin – keyboards, programming, producer, mixing engineer
- Rami – keyboards, programming, producer, mixing engineer
- David Kreuger – keyboards, programming, producer, mixing engineer
- Kent Wood – keyboards
- Elan Bongiorno – make-up
- Johnny Wright – management
- Tom Coyne – mastering
- Nigel Green – mixing
- Jon Ragel – photography
- Barry Eastmond – piano, conductor, keyboards, producer, engineer, orchestral arrangements
- Rodney Jerkins – producer, engineer, song arrangement, mixing engineer
- Robert John – producer
- Timmy Allen – producer
- Richard Meyer aka Swayd – programming
- Cory Churko – programming
- Kevin Churko – programming
- William Meade – string coordinator
- Hayley Loma – stylist
- Alfred V. Chocolate-brown – viola, orchestra contractor
- Julien Hairdresser – viola
- Olivia Koppell – viola
- Harry Zaratzian – viola
- Maxine Roach – viola
- Stephanie Baer – viola
- Richard Henrickson – violin, concertmaster
- Sanford Allen – violin
- Belinda Whitney-Barratt – violin
- Sandra Billingslea – violin
- Winterton Garvey – violin
- Gerald Tarack – violin
- Joyce Hammann – violin
- Stanley Hunte – violin
- Regis Iandiorio – violin
- Factor Orloff – violin
- Marion Pinhiero – violin
- Marti Sweetness – violin
- Amahid Ajemian – violin
- Xin Zhao – violin
- Margaret Magill – violin
- Ashley Horne – violin
- Nikki Gregoroff – groundwork vocals
- Audrey Martells – groundwork vocals
- Nana Hedin – background vocals
- Darryl Anthony – background vocals
- Nora Payne – background vocals
- Jeanette Söderholm – groundwork vocals
- Therese Ancker – background vocals
- Charlotte Björkman – background vocals
- Andres Von Hofsten – background vocals
- Nina Woodford – background vocals
- Mona Yacoub – groundwork vocals
- Jeanette Olsson – background vocals
- Stephanie Baer – groundwork vocals
Charts [edit]
Weekly charts [edit]
| Year-stop charts [edit]
Decade-end charts [edit]
All-time charts [edit]
|
Certifications and sales [edit]
Release history [edit]
Come across likewise [edit]
- List of all-time-selling albums
- List of best-selling albums by women
- List of all-time-selling albums in the United States
- List of fastest-selling albums
Notes [edit]
- ^ Every bit of December 2010, Oops!...I Did It Again has sold 9,201,000 copies in the United States according to Nielsen SoundScan,[185] with boosted ane,210,000 copies sold at BMG Music Clubs.[91] Nielsen SoundScan does not count copies sold through clubs similar the BMG Music Service, which were significantly popular in the 1990s.[92]
References [edit]
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- ^ Amazon.co.jp: ブリトニー・スピアーズ, クリスチャン・ランディン, ダイアン・ウォーレン, ジョーゲン・エロフソン, ルパート・ホルメス, ジョージ・テレン, ジェイソン・ブルーム, マックス・マーティン, ラミ, ミック・ジャガー, シャナイア・トゥエイン : ウップス!アイ・ディド・イット・アゲイン - ミュージック
- ^ Oops!...I Did Information technology Again - Britney Spears: Amazon.de: Musik
- ^ Oops .. I Did Information technology Over again!: Britney Spears: Amazon.ca: Music
- ^ Britney Spears, Britney Spears - Oops!... I Did It Again - Amazon.com Music
- ^ "Oops!... I Did It Again (Special UK Edition)". AllMusic. October 9, 2000. Retrieved August 31, 2021.
- ^ "Oops!... I Did Information technology Again [Japan 2001 Bonus Tracks]". AllMusic. February xiii, 2001. Retrieved Baronial 31, 2021.
- ^ "Oops!...I Did Information technology Again Commonwealth of australia Special Edition w/Bonus Disc of Remixes And Videos". Tape Runner USA . Retrieved Baronial 31, 2021.
- ^ "Britney Spears – Oops!...I Did Information technology Again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Over again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did Information technology Once again Limited Cassette". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again 20th anniversary edition picture vinyl". BritneySpears. Archived from the original on May 25, 2020. Retrieved March 31, 2019.
Bibliography [edit]
- Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Just Hits. Year by year. 1959-2002] (in Spanish). Madrid, Espana: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.
External links [edit]
- Official website
Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)
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